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Actor and podcast host Dax Shepard  is trending after revealing a deeply personal parenting conversation involving his daughter and her future. On a recent episode of Armchair Expert , Shepard shared that he would be willing to pay for his daughter to freeze her eggs when she turns 18 , giving her more flexibility when it comes to career, life goals, and family planning later on. The statement has sparked a wide range of reactions online , from praise for forward-thinking parenting to concerns about boundaries and age-appropriate conversations. In today’s Dub of the Day , we break down the moment, the intent behind it, and why it has people talking. Is this progressive parenting — or a conversation the internet didn’t need to hear? 👇 Tap in and join the conversation. 📌 Subscribe for more culture, commentary, and real conversations 🌐 Visit us at: www.rawrrzonenyc.com📲 Follow @RawrrzoneNYC across all platforms

coverart A motivational new release celebrating ambition, excellence, and championship-level focus across sports, business, and life. Dj Mannie Faces & Mr Highbaugh just released a new anthem titled “The Prize” ft Skypp, Mr Ward, Jovi Blac, Illy Octane and Merc. It's a high-energy, motivational track built to celebrate winning at the highest level. Whether in sports, business, creative pursuits, or everyday life, the record captures the mindset of momentum, progression, and performing at your peak when it matters most. Driven by powerful energy and forward-moving intensity, The Prize was inspired by a season defined by excellence and undefeated focus, mirroring the spirit of championship runs happening across the global sports landscape. It’s the kind of record that fuels confidence, sharpens focus, and elevates moments leading up to major victories. Designed to resonate far beyond a single team or region, The Prize connects with listeners worldwide who thrive on ambition, resilience, and the pursuit of greatness. It’s a natural fit for playlists, features, and editorial coverage centered on motivation, competition, and winning energy. We’d love for you to consider adding “The Prize” to your rotation. This is a record built to go the distance and inspire audiences across cultures and borders. Check out the song now on  Spotify .

Photo by Sara Maroye Belgian composer Tom Soetaert, under his OUTER moniker, returns with the quietly powerful new single “In Limbo”, offering an intimate first glimpse into his forthcoming album Glowing Mountains in the Sky , due February 13th via AWAL. Known for creating rich soundscapes that blur the line between contemporary classical and atmospheric electronics, OUTER once again invites listeners into a world that feels both vast and deeply personal. “In Limbo” unfolds gently through drifting piano, swelling strings, hushed vocals and subtle electronic textures, creating a soft, suspended atmosphere that feels like standing still while time moves around you. The track was written during a period of uncertainty as Soetaert awaited the birth of his first child, and that emotional tension quietly hums beneath every note. There is warmth and euphoria here, but also vulnerability and fear, as the song balances light against shadow. Gentle melodies glow, then slowly give way to darker synth tones and muted rhythms, mirroring the emotional contrast of stepping into an unknown future. Musically, “In Limbo” sits somewhere between the weightless beauty of Sigur Rós and the intimate modern classical touch of Ólafur Arnalds. Whispered vocals drift at the edges, strings ache softly beneath, and the spaces between notes feel just as meaningful as the sounds themselves. Much of Glowing Mountains in the Sky was written in remote locations across Iceland, Norway and the Czech Republic, with field recordings from those environments woven into the album’s textures. You can hear that sense of space and isolation in “In Limbo”, which feels shaped by quiet landscapes and open air. With “In Limbo”, OUTER captures that fragile moment before everything changes, when joy and fear exist side by side. It is a tender, suspended breath of a song that lingers long after it fades. Website

Photo Credit: @daisychain Dublin five-piece Cable Boy aren’t easing into 2026, they’re walking straight into the noise. With the release of “Something In My Head” on January 16th, the band fire the opening flare for their long-awaited debut album Forever (out April 17th), and it’s a bold, restless introduction to the most focused and ferocious version of themselves yet. There’s something instantly gripping about this track. It hums with tension from the first few seconds, built on propulsive guitars, hypnotic rhythms, and a cool, detached vocal delivery that feels like it’s holding back a scream. It’s shoegaze through a modern, urban lens, fuzzy and dreamy, but wired with nervous energy. Think DIIV or bdrmm dragged onto a late-night dancefloor, lights strobing, pulse racing. Lyrically, “Something In My Head” taps straight into the strange emotional paralysis of modern life. It captures the feeling of scrolling through endless bad news, absorbing global horror in real time, and still having to get up, go to work, and pretend everything’s fine. There’s a quiet despair to it, but also a strange, almost numb composure, a tension between caring deeply and feeling utterly powerless. When Semilore Olusa delivers the chorus — “I can be cool just where I am, weather is cooler where I stand” — it lands like a shrug and a scream at the same time. Musically, the track marks a shift. Produced by Adam Shanahan, David Tapley, and the band themselves, it introduces Cable Boy at their most direct and assured. It’s heavier, fuzzier, and more volatile than their earlier dream-pop leanings, yet still melodic and beautifully restrained. This is the band’s self-described “goth disco” sound in full motion: dark, danceable, and emotionally loaded. Cable Boy’s journey to this moment has been slow-burn and deliberate. Formed by school friends Semilore Olusa and Liam Murray, the band first surfaced with their 2019 EP WHOLE , wrapped in dreamy textures and soft glow atmospheres. After 2020, everything changed. The arrival of Corneille Tshibasu, Jason Aikhionbare, and Fionn McLoughlin pushed the group toward a heavier, more physical sound that still floats, but now also punches. That evolution is all over “Something In My Head”. It feels like a band processing the last few years of chaos and compression — politically, socially, emotionally — and distilling it into three minutes of controlled unrest. Cable Boy aren’t chasing trends. They’re building a world. And with this single, they’ve opened the door just wide enough to pull you in. Instagram TikTok Website

R-Truth joins The Breakfast Club to discuss his WWE journey, longevity, viral moments, locker room respect, and what’s next in his career.

Young Dirty Bastard exemplifies carving out your own identity in a world often viewed in black and white terms. We repeatedly declare that this is the era of YDB. From his performances with WU-Tang on their final tour to his collaboration with Sega, Barsun Unique Jones has evolved from being known as the son of Ol' Dirty Bastard to establishing his own name and brand. While his father paved the way for Hip-Hop, his son is advancing the legacy, as showcased in his latest single, "Next Man Up." The track, released on January 17th, is not about a legacy child riding on the fame of his renowned father. Instead, it is a testament to resilience and a declaration that, while he is evolving as an artist, he continues to draw from his experiences with Wu-Tang and his father's music. He is using all of that knowledge to carve his own path while preserving the true essence of hip hop. The boombap-influenced beat is raw and gritty, complementing the message of not being merely a replica of his father. Instead, he embraces the legacy and the pressure of being his father's son, carrying the torch as far as he can. It's a story of survival of the fittest in the rapidly changing hip-hop industry, where Wu Tang's influence endures, and finding one's place in a world that sometimes hopes for failure. His mission on this journey isn't to create hits but to leave a lasting, timeless impression. If he makes mistakes, he'll persist until he gets it right. Catch content like this and more on our content hub in collaboration with Caphouse Media

Platforms such as Tiny Desk and Colors are cherished for reviving the authentic, MTV Underground style of live performances, evoking nostalgia among music enthusiasts worldwide. This week, we were fortunate to receive a new song from the iconic Jill Scott on the Colors platform. Don't Play is the second-to-last single to be released before her eagerly awaited album To Whom It May Concern , which is scheduled to come out in a few weeks. This track succeeds her previous singles Beautiful People and Pressha , delivering the signature Jill Scott sensuality and playfulness. It subtly guides her lover on how to please her properly without overwhelming the song with overt sexual themes. “Change the position up / Give me Afrobeats / Please me hard / So hard like a K-Dot lyric,” The track also expresses a profound appreciation and gratitude for Kendrick Lamar's music, emphasizing not only his artistic genius but also his significant influence on the music industry as a whole. His lyrical prowess and innovative sound have left an indelible mark on contemporary hip-hop, inspiring countless artists and shaping the direction of modern music. This influence resonates deeply with legendary artists such as Jill Scott, whose work has been a cornerstone of neo-soul since the 1990s. The collaboration or homage within the track serves as a bridge between the rich, soulful melodies characteristic of Scott's era and the cutting-edge rhythms and themes that define today's music landscape. By seamlessly combining her iconic 90s style with a tribute to the contemporary soundscape, the track not only honors the roots of hip-hop and soul but also acknowledges the evolution of these genres. Let's talk about the performance, isn't she flawless off the rip listening we started to have butterflies listening to her sultry voice and making us wish she was leading us to the bed to make her feel good. But in reality what woman doesn't want attention like this from their partner. Whose ready for the project to drop on February 13th? Check us out on our content hub with CapHouseMedia now

The Rawrrzone was welcomed with a breath of fresh air when the music of Jazmine Renae’ crossed our desk. Shoutout to the family at Williams Media Group for introducing us to such a standout talent. Born in Boston and raised in Atlanta , the songstress carries a sound rooted in intimacy—echoing the smooth allure of Aaliyah , the warmth of Brandy , and the emotional vulnerability of early Monica . Jazmine Renae’ effortlessly blends modern production with the emotional depth and smoothness of 90s R&B , delivering music grounded in soulful vocals, real storytelling, and grown, timeless energy. Her latest single, “Slide Somethin’,” released on November 14, 2025 , brings the subtle seduction of 90s R&B into the present day. The record reads the room and moves with intention, guiding listeners through a late-night ride filled with confidence, intimacy, and flirtation. Jazmine taps into the classic energy of the era, channeling the spirit of Aaliyah’s “Rock the Boat” and “Are You That Somebody?” while maintaining her own modern identity. “Slide Somethin’” is laid-back yet familiar, pulling you into an intimate space without forcing the moment. The track avoids being overly explicit, choosing instead to let tone, mood, and delivery do the work. In an era where subtlety is often lost, Jazmine Renae’ proves that restraint can be powerful—making “Slide Somethin’” feel like a timeless record, right on time. Follow her on Instagram

"Through perseverance and staying spiritually connected to God, I was able to find the light at the end of the tunnel. This song is for anyone still searching for theirs. God hears your howl." The year 2026 has been eventful with the release of new music, from the mainstream comeback of Bruno Mars to Jill Scott's vibrant performance. Our local talents have also been unveiling new music, showcasing different facets of themselves; among them is Queens' own CREDLE. This artist from the southside has traditionally been reserved about revealing his more vulnerable side. The last time we spoke with him, we discussed the impact of the Wxlf Pack track and video before its viral success led to a remix with Devye. Although we had a fascinating conversation about his artistry, it's through his music that we truly understand him. Music conveys more than an interview ever could. His latest single, I Found The Light , exemplifies this. His latest track, Found The Light , released on the 17th in celebration of his birthday, is a testament to the journey he undertook to reach his current position. When I listen to the message, I sense a blend of Kendrick Lamar's Pray For Me and Kid Cudi's Reborn , with themes of healing, self-realization, and finding light after darkness. CREDLE describes the song as the culmination of his emotions, reflecting on his darkest moments, including his struggles with alcohol abuse. This message-focused track offers hope to listeners experiencing their own dark times, reassuring them that things will improve. The track is available for purchase on the Credle Entertainment website

T-Roy Aka Reezy’s “Last Man Standing” is a gritty anthem for anyone who’s ever fought through doubt, setbacks, and noise to carve out their own space. With raw lyricism and a beat that hits hard, T-Roy channels resilience and relentless ambition — painting a picture of the hustle, the scars, and the triumph that comes with refusing to fold. It’s the soundtrack for grinders, go-getters, and anyone determined to rise above the chaos and be the one still standing when the smoke clears

Nick Jonas delivers an emotionally raw performance in “Gut Punch,” exploring heartbreak, vulnerability, and the impact of love lost. The video’s stripped-down visual style amplifies the song’s honest lyrics, capturing the emotional weight of a relationship that ends suddenly but leaves lasting scars.

The Kid LAROI’s “Back When You Were Mine” video captures heartbreak, nostalgia, and emotional vulnerability as he reflects on love lost and memories that still linger. The visual storytelling mirrors the song’s raw lyrics, highlighting themes of regret, distance, and personal growth that define LAROI’s evolving artistry.